Final Fantasy Tactics Advance (ファイナルファンタジータクティクスアドバンス) is a tactical role-playing game developed and published by Square (now Square Enix) for the Nintendo Game Boy Advance. A spin-off of the popular Final Fantasy series, the game shares several traits with 1997's Final Fantasy Tactics, although it is not a direct sequel. The player assembles a clan of characters, and controls their actions over grid-like battlefields. Players are mostly free to decide the classes, abilities, and statistics of their characters. The game's story centers on four children; Marche, Mewt, Ritz, and Doned, who live in a small town named St. Ivalice. The children are transported to a realm of the same name as their town, "Ivalice", after discovering an ancient magical book. The story then focuses on the exploits of Marche as he attempts to return to the real world while facing opposition from those around him. Tactics Advance is one of the initial products from the cooperation of Square and Nintendo made for the Game Boy Advance console; it was developed by the team brought over from the game company Quest Corporation. Following its release, Tactics Advance-themed merchandise was introduced. The game was positively received. It has a sequel, Final Fantasy Tactics A2: Grimoire of the Rift for the Nintendo DS.

Godzilla (ゴジラ, Gojira) (/ɡɒdˈzɪlə/; [ɡoꜜdʑiɽa] ( )) is a giant monster or daikaiju originating from a series of tokusatsu films of the same name from Japan. He first appeared in Ishirō Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd.. The character has appeared in numerous other medium incarnations including video games, novels, comic books, and television series. A 1998 American reimagining was produced by Tri-Star Pictures (the title monster of which was renamed to Zilla by Toho for later appearances), while a second American version by Legendary Pictures was released on May 16, 2014. The character is commonly alluded to by the title King of the Monsters, an epithet first used in the Americanized version of Ishiro Honda's original 1954 film. With the nuclear bombings of Hiroshima and Nagasaki and the Lucky Dragon 5 incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. As the film series expanded, some stories took on less serious undertones portraying Godzilla as a hero while other plots still portrayed Godzilla as a destructive monster; sometimes the lesser of two threats who plays the defender by default but is still a danger to humanity.